Search results for " elephants"
showing 3 items of 3 documents
Palaeogeographical evolution of the Egadi Islands (western Sicily, Italy). Implications for late Pleistocene and early Holocene sea crossings by huma…
2019
Abstract The continental shelf morphology offshore of western Sicily suggests that during the Last Glacial Maximum (LGM, 20 ka cal BP), two of the Egadi Islands, Favignana and Levanzo, were connected to Sicily by a wide emerged plain, while Marettimo was only separated from the other islands by a narrow channel. We studied the relative sea-level variation from the LGM until today, focussing on two important time slices: the Mesolithic (9.5–13 ka cal BP) and the Neolithic (6.5–7.5 ka cal BP). In this research, we discuss a sea-level rise model by means of geomorphological, archaeological and geophysical observations and new radiocarbon dating of marine and terrestrial fossil fauna. The resul…
PALAEOECOLOGY AND TAPHONOMY OF THE STRAIGHT-TUSKED ELEPHANT LATE MIDDLE PLEISTOCENE SITE OF POGGETTI VECCHI (SOUTHERN TUSCANY, ITALY)
2018
Works for the construction of thermal pools at Poggetti Vecchi, near Grosseto (Tuscany, Italy) exposed an accumulation of fossil bones, largely belonging to the straight-tusked elephant Palaeoloxodon antiquus, mixed up with stone and wooden tools. The site is radiometrically dated to the late Middle Pleistocene, and the artefacts were thus created by early Neanderthals. Palaeobiological and taphonomic analyses of the fauna remains are part of a more general, multiproxy study of the site that provides new information on MIS 7-6 transition, as well as on human-animal interactions.
Uses and Abuses of Creativity. Sociology of creative processes, transitions to digital and creative policies
2017
Creativity is a notion awakening growing interest in the social sciences. This attention mirrors the debate on the potential economic and social development of creativity as a skill, profession or industry. However, there is also rising critical interpretation of the abuse of this concept, exploited to legitimize the hasty digitization of the cultural field, and of the instrumentalization of culture in pursuit of economic interests. This article is grounded on the contributions of numerous sociologists (Bourdieu, Collins and Menger) in an attempt to reconsider the conditions under which creativity develops, and examine how the framework of digitalization and instrumentalization is shifting …